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fol. 28r

Book two, chapter one: On the art of counterpoint

Puedese echar otra manera, que es siendo todo el contrapunto [f. 28]
pasos largos o decendientes o subientes; y de todas estas maneras se pueden echar ynumerables diferencias. Exemplo de los pasos largos:

[Ex. 22a-d] Exemplo

One can do otherwise, by making the whole counterpoint [f. 28] based in wide-range passages, either ascending or descending and in all these ways one can make innumerable variations. Examples of wide-range passages

[Ex. 22a-d] Example

On peut faire autrement, en faisant tout le contrepoint en passages de grand ambitus, soit ascendants, soit descendants, et de toutes ces manières on peut faire d’innombrables variations. Exemples de passages de grand ambitus :

[Ex. 22a-d] Exemple

62 Ex. 22a

62 Example 22a, p. I-36 – labeled, with ficta
62 Example 22a, p. I-36 – labeled, with ficta
62 Example 22a, p. I-36 (MP3). MIDI
62 Example 22a, p. I-36 (MP3). Ensemble Les Sacqueboutiers
62 Example 22a (MP3). Recorders (VP)

63 Ex. 22b

63 Example 22b, p. I-36 – labeled, with ficta
63 Example 22b, p. I-36 – labeled, with ficta
63 Example 22b, p. I-36 (MP3). MIDI
63 Example 22b (MP3). Recorders (VP)

64 Ex. 22c

64 Example 22c, p. I-36 – labeled
64 Example 22c, p. I-36 – labeled
64 Example 22c, p. I-36 (MP3). MIDI
64 Example 22c (MP3). Recorders (VP)

65 Ex. 22d

65 Example 22d, p. I-36 – labeled
65 Example 22d, p. I-36 – labeled
65 Example 22d, p. I-36 (MP3). MIDI
65 Example 22d (MP3). Recorders (VP)