161 Example 58h, p. I-105161 Example 58h, p. I-105 (MP3). MIDI. CF sounds one 8ve up (“boz de tiple”)161 Example 58h (MP3). CF sounds one 8ve up (“boz de tiple”). Recorders (VP)
162 Example 58i, p. I-106162 Example 58i, p. I-106 (MP3). MIDI. CF sounds one 8ve up (“boz de tiple”)162 Example 58i (MP3). CF sounds one 8ve up (“boz de tiple”). Recorders (VP)
163 Example 58j, p. I-106163 Example 58j, p. I-106 (MP3). MIDI. CF sounds one 8ve up (“boz de tiple”)163 Example 58j (MP3). CF sounds one 8ve up (“boz de tiple”). Recorders (VP)
164 Example 58k, p. I-106164 Example 58k, p. I-106 (MP3). MIDI. CF sounds one 8ve up (“boz de tiple”)164 Example 58k (MP3). CF sounds one 8ve up (“boz de tiple”). Recorders (VP)
La demostraçion de las fugas [borrado: hechas] que se hazen en dyapason son puestas en el ultimo lugar de las fugas, segun que a maior conviene por la dignidad de perfecta consonancia, y por que sea guardada la orden en la demostraçion de las tales fugas, scilicet de unisonus, de dyatesaron y subdyatesaron, dyapente y subdyapente. Pues aqui conviene mostrar como se pueden hazer las fugas en dyapason, y con que pausas, declarando que la tal fuga no se haze con pausa de breve sobre el canto llano presente.
[Ex. 59a-b] Exemplo
The demonstration of the canons at the octave has been placed at the end of the canon examples, as befits the greater [interval] for the dignity of perfect consonance and so that the order in the demonstration of these canons may be kept, namely at the unison, fourth, lower fourth, fifth and lower fifth. For it is appropriate to show here how canons at the octave can be made, and with what rests, and stating that such canon is not made with a breve rest on the present plainchant.
[Ex. 59a-b] Example
On a placé la démonstration des canons qui se font à l’octave à la fin du chapitre des canons, selon ce qui convient à un aîné pour la dignité d’une consonance parfaite, et afin que soit gardé l’ordre dans la démonstration de ces canons, à savoir unisson, quarte et quarte inférieure, quinte et quinte inférieure. Car il convient de montrer ici comment on peut faire des canons à l’octave, et avec quels silences, en déclarant qu’un tel type de canon ne se fait pas avec un silence de brève sur le présent plain-chant.
161b Example 58h, p. I-105 – with ficta and canon resolution161b Example 58h, p. I-105 (MP3). MIDI – with canon resolution161b Example 58h, p. I-105 with canon resolution (MP3). Ensemble Les Sacqueboutiers161b Example 58h with canon resolution (MP3). Recorders (VP)
162b Example 58i, p. I-106 – with ficta and canon resolution162b Example 58i, p. I-106 with canon resolution (MP3). MIDI162b Example 58i with canon resolution (MP3). Recorders (VP)
163b Example 58j, p. I-106 – with ficta and canon resolution163b Example 58j, p. I-106 (MP3). MIDI – with canon resolution163b Example 58j, p. I-106 with canon resolution (MP3). Ensemble Les Sacqueboutiers163b Example 58j with canon resolution (MP3). Recorders (VP)
164b Example 58k, p. I-106 – with ficta and canon resolution164b Example 58k, p. I-106 (MP3). MIDI – with canon resolution164b Example 58k, p. I-106 with canon resolution (MP3). Ensemble Les Sacqueboutiers164b Example 58k with canon resolution (MP3). Recorders (VP)
[^**]: [See below for another version of examples 59a-b with canon resolutions—Tr.]
165b Example 59a, p. I-107 – with ficta and canon resolution165b Example 59a, p. I-107 with canon resolution (MP3). MIDI165b Example 59a with canon resolution (MP3). Recorders (VP)
166b Example 59b, p. I-107 – with ficta and canon resolution166b Example 59b, p. I-107 (MP3). MIDI – with canon resolution166b Example 59b, p. I-107 with canon resolution (MP3). Ensemble Les Sacqueboutiers166b Example 59b with canon resolution (MP3). Recorders (VP)166c Example 59b only dux and first comes (MP3). Recorders (VP)
