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fol. 34r

Book two, chapter one: On the art of counterpoint

106 Ex. 33a

106 Example 33a, p. I-59 – labeled. Syncopated minims preceded by a semiminim rest with dissonances (for soprano)
106 Example 33a, p. I-59 – labeled. Syncopated minims preceded by a semiminim rest with dissonances (for soprano)
106 Example 33a, p. I-59 (MP3). MIDI
106 Example 33a (MP3). Recorders (VP)

107 Ex. 33b

107 Example 33b, p. I-59 – labeled, with ficta. Syncopated minims preceded by a semiminim rest with dissonances (for alto)
107 Example 33b, p. I-59 – labeled, with ficta. Syncopated minims preceded by a semiminim rest with dissonances (for alto)
107 Example 33b, p. I-59 (MP3). MIDI
107 Example 33b (MP3). Recorders (VP)

108 Ex. 33c

108 Example 33c, p. I-60 – labeled, with ficta. Syncopated minims preceded by a semiminim rest with dissonances (for tenor)
108 Example 33c, p. I-60 – labeled, with ficta. Syncopated minims preceded by a semiminim rest with dissonances (for tenor)
108 Example 33c, p. I-60 (MP3). MIDI
108 Example 33c (MP3). Recorders (VP)

109 Ex. 33d

109 Example 33d, p. I-60 – labeled, with ficta. Syncopated minims preceded by a semiminim rest with dissonances (for bass)
109 Example 33d, p. I-60 – labeled, with ficta. Syncopated minims preceded by a semiminim rest with dissonances (for bass)
109 Example 33d, p. I-60 (MP3). MIDI
109 Example 33d (MP3). Recorders (VP)

En las minimas sincopadas algunas dan falsas que acometen [f. 34v] clausula en la primera cabeça del conpas…

Some of the syncopated minims make dissonances that attack [f. 34v] the cadence on the first beat of the bar…

Certaines des minimes syncopées font des dissonances qui attaquent la [f. 34v] cadence sur le premier temps de la mesure…

Ch. 1
fol. 34v
Ch. 1
fol. 33v