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fol. 32v

Book two, chapter one: On the art of counterpoint

Pueden aon los breves ser sincopados con pausa de mynima, y esto en dos maneras: sin falsas y con ellas.
Exemplo de como pasan con falsas, que sin ellas es quasi como los breves sin falsas y con pausa de semibreve.

[Ex. 29a-d] Exemplo

Breves may also be syncopated by a preceding minim rest in two ways: with and without dissonances. Here follows an example with dissonances since, without them, it would almost be like an example of breves preceded by a semibreve rest with no dissonances.

[Ex. 29a-d] Example

Les brèves peuvent encore être syncopées avec une pause de minime, et ceci de deux façons, avec ou sans dissonances.
Exemple avec les dissonances (sans elles, cela ressemble aux brèves avec pause de semi-brève).

[Ex. 29a-d] Exemple

90 Ex. 29a

90 Example 29a, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for soprano)
90 Example 29a, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for soprano)
90 Example 29a, p. I-53 (MP3). MIDI
90 Example 29a (MP3). Recorders (VP)

91 Ex. 29b

91 Example 29b, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for alto)
91 Example 29b, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for alto)
91 Example 29b, p. I-53 (MP3). MIDI
91 Example 29b (MP3). Recorders (VP)

92 Ex. 29c

92 Example 29c, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for tenor)
92 Example 29c, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for tenor)
92 Example 29c, p. I-53 (MP3). MIDI
92 Example 29c (MP3). Recorders (VP)

93 Ex. 29d

93 Example 29d, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for bass)
93 Example 29d, p. I-53 – labeled. Syncopated breves preceded by a minim rest with dissonances (for bass)
93 Example 29d, p. I-53 (MP3). MIDI
93 Example 29d (MP3). Recorders (VP)

Pueden aon los semibreves ser sincopados con falsas y sin ellas; las quales figuras se pueden sincopar en principio, o con la pausa que las haze ir en sincopa o con su figura.
Exemplo de como se sincopan con pausa de minima y sin falsas.

[Ex. 30a]

Semibreves can also be syncopated with and without dissonances. These figures can be syncopated from the beginning, either preceded by a rest that creates the syncopation or by the corresponding figure. Here follows an example that shows how the semibreves are syncopated with a minim rest and without dissonances.

[Ex. 30a]

Les semi-brèves peuvent également être syncopées avec et sans dissonances. Ces figures de notes peuvent être syncopées dès le début, soit avec le silence qui crée la syncope, soit avec la figure correspondante.
Exemple qui montre comment les semi-brèves sont syncopées avec une pause de minime et sans dissonance.

[Ex. 30a]

94 Ex. 30a

94 Example 30a, p. I-54 – labeled. Syncopated semibreves preceded by a minim rest with no dissonances (for soprano)
94 Example 30a, p. I-54 – labeled. Syncopated semibreves preceded by a minim rest with no dissonances (for soprano)
94 Example 30a, p. I-54 (MP3). MIDI
94 Example 30a (MP3). Recorders (VP)